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Hiroyuki sawano remember album mp3 download12/29/2022 ![]() ![]() “立body機motion’s” harsh rhythm bodes poorly because of its repetitiveness and intermittent blares. Impressive though the piece is, it’s even more impressive when compared to many other tracks of its general bent on this soundtrack simply because of its greater emphasis on melody over purely rhythmic measures. While it’s hardly an exemplar of melodic refinement, “ət’æk 0N tάɪtn” is evocative, thereby succeeding in putting a very strong stamp on the album. Mika Kobayashi’s entry shatters any remaining restraint, unleashing a ferocious torrent of passion and energy that reeks of the desperation you sense from a cornered animal with nothing left to lose. After the suspenseful first half, the piece blazes away, complete with a sound comparable to many an ostentatious Hollywood score. ![]() ![]() The first track, “ət’æk 0N tάɪtn”, is completely unabashed in this regard the electronica growls and rumbles make way for a dread chorus that intensifies the danger, highlighting the dire straits in which humanity finds itself. So while this soundtrack is anything but subtle, its grandiosity appeals to that primitive part of my being that yearns to break free and wreak havoc. And when you do have appeals to emotion, they’re serviceable during the initial listen, but quickly de-evolve into cheesiness upon closer inspection. ![]() In doing so, they perfectly depict Attack on Titan’s gritty, harrowing atmosphere, where the eponymous monstrosities keep humanity cowering behind city walls that seemingly delay rather than prevent the inevitable. There are few subtle appeals to emotion since his pieces are raw and loud, getting in your face without showing a twinge of shyness. Sawano’s music, on its own, is nothing special. Review: After listening to Hiroyuki Sawano’s compositions for Attack on Titan, I’ve concluded that this soundtrack is absolutely unpretentious. Hiroyuki Sawano, Mika Kobayashi, mpi, Aimee Blackschleger, Cyua,Ġ1. ![]()
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